30 May 2011

Konser

Title is perfect example of Indonesian spelling: since the letter C is only used for the "ch" sound, K is needed for a hard C and S for a soft. "Konser" means "concert" and is one of the rare words that has convenient commonality with English. Trying to refresh and add to my Indonesian vocabulary makes me even more ashamed that I've proceeded so slowly with French. As Victor Hugo is supposed to have said, "English is just French, badly pronounced."

The concert we attended on Saturday evening, 21 May, was by 60-something guitarist/singer/songwriter Leo Kristi, a cult favorite in Indonesia, with Michael's colleague and friend Sena playing drums. Sena has been a fan since his schooldays, along with the other devotees who crowded the auditorium, singing along, shouting out comments, more like a family gathering than an audience.

 For Robert—the merch guy.
He sold us what was probably the only XL t-shirt.

Sena and his wife Yetti, as charming as she is pretty.

Leo posing with a fan

Sound check
The theater in Gedung Kesenian was larger than we expected after accessing it via an alley so narrow that a motorcycle had to be moved for Purwanto's Toyota SUV to get through.


The violinist was terrific. Apparently he has a regular gig at Mistere, the nightclub right here in the Ritz-Carlton, Pacific Place. Will we ever be able to stay up late enough to take in a show that begins at 10:45 pm?


 

Every Leo Kristi concert contains a surprise, this time rabbit ears after intermission that reminded me eerily of Donnie Darko.

A video Michael has compiled of snippets from the concert, taken on his Lumix since we hadn't thought to bring the Sony film camera. The music was much more resonant than it sounds here.

29 May 2011

Textile Museum (2)

2 Javanese wood carvings in museum

I wanted to add some photos lifted from the net of the two sisters whose collections were being exhibited at the museum. This has proved harder than I expected, though. While Hatta's wife appears, I can't find even a glimpse of her clotheshorse younger sister except for a single photo of Rahmi and Raharty together.

Just to give an idea of how the fabulous textiles are worn, after the snaps of Rahmi I'll paste in some images of women in the kebaya (form-fitting top) and batik sarong skirt, plus a link to a video showcasing a contemporary designer's take on an ancient tradition.

Then, for a dazzle-'em finale, Michael in his new batik shirt.....

Rahmi Hatta (left), Raharty Subijakto (right)
Rahmi and Mohammad Hatta, newly married...

...and as grandparents
source


Kartini (1879-1904), Javanese princess and champion of women's rights, being married off to please her father as the fourth wife of a prominent nobleman. Such irony. Even though she died after childbirth at 25, her birthday, April 21, is a national holiday.



Modern wedding, traditional costume


Two internet glimpses of the museum exhibition
Modern designers at work




Real people




2008 video of celebrated Indonesian fashion designer, promoting Javanese batik in New Zealand as part of a world tour. Stunning designs on equally stunning models:
http://www.youtube.com/watch?v=DWgXcyTsXac&feature=related

With rather less fanfare, Michael off to work on a Friday, the day of the week he generally wears a batik shirt:

 

27 May 2011

Textile Museum

This past Saturday we actually made a cultural excursion, as opposed to the usual settling-in shopping that is most often signaled by our setting foot in the car (tomorrow, for example, we'll be buying the last plant we need for the living room — Michael likes to visit the roadside nurseries — and then taking copies of our newly arrived long-stay visas and blessed work permit to the Duty Free wine and spirits shops that we're now entitled to enter for the first time).

Given that we've decided textiles are one of the few items that we can still add to our overcrowded homes, it seemed a good idea to educate ourselves a bit more about what we'll be buying. As we drove up to Museum Tekstil in Tanah Abang, an area of Jakarta that's home to a huge wholesale fabric market, we both commented on what a classic Dutch colonial building it was. Wrong. It was originally a private dwelling built by a Frenchman in the early 19th century ("French Empire architectural style," according to The Jakarta Explorer). The house has gone through many incarnations, including being bought by the Turkish Council, taken over by rebel groups during Indonesia's post-WWII fight for independence, rented out as an institution for the elderly. A year after the government was handed the deed in 1975, Suharto's wife Ibu Tien opened the building as a textile museum.



Looking back toward the street

Because these open columns let in too much warm sunshine, the edifice used to be spoiled by various types of screens and awnings.




We were interested to see these saloon-style doors, which we had also noticed on Emerald Hill in Singapore.
The permanent collection is housed in modern display cases in another building a few steps away, while the main house is the setting for temporary exhibitions, often of textiles collected and worn by the Indonesian elite. The day we visited, there were two collections on display, belonging to sisters, Raharty Subijakto and Rahmi Hatta. The first was dominantly batiks (Ibu Raharty was married to a Javanese rear admiral), while the second included more ikats (Ibu Rahmi's husband was Mohammad Hatta, Sukarno's vice-president, from Sumatra). Most fabrics were about fifty years old.

The colors and patterns were mesmerizing, but we could only take a few very quick photos.

From Ibu Raharty's collection



Pattern reminiscent of Julia sets
Closer-up view
Mosaic floors competed with the textiles. Unfortunately we don't have any photos of how stunningly different batik patterns (rather like the second two tile combinations here) were paired in outfits that unsurprisingly saw Ibu Raharty on the best-dressed list several times.





From Ibu Rahmi's collection




The permanent collection. This houses textiles dating back to the 18th century, but we didn't notice any that old.


Huge "cap" (fabric stamp, pronounced chop) on display in entry


An Escher-like design





Unusual pattern from Papua







A quiet corner


Stages of batik creation


Caps


Natural dyes and a bowl on floor with several "canting" — the small dipper used for dripping wax onto batik by hand



And the pièce de résistance for me: a gorgeous sample bedroom decorated in blue-and-white batik




Details








The sign on the bed reveals that all the batiks are from Parang Kencana, the shop where Libby and I had both splurged on one very expensive contemporary silk batik each. I'll paste a few photos of my prized possession after this.










There was a third outpost, where you could buy textiles and/or try your hand at creating your own. We had never seen people working with canting and wax before.




Waxed cloth


This is the batik teacher, who sold us an old piece from Cirebon.



This was made by hand with a canting, without a pattern. Around fifty years old (i.e. younger than I am but still considered an antique).




Canting statue outside classroom



Batiks drying



A typically lush and colorful Indonesian plant


Area at back of main museum, where we met two elegant and knowledgeable ladies sipping tea, who probably belonged to Himpunan Wastraprema, the Indonesian Traditional Textiles Society.





 "Garden of Natural Dyes"






Despite appearances, this is actually new, crafted in West Kalimantan.


Great photo of textures on one of the less carefully maintained walls. Most pics in this post are c/o Michael.

I'll finish with this wonderfully expressive Indonesian cat that Michael caught at just the right moment. When I sent my friend Carol F., a crony from Lasmo days, a copy of these photos, she wrote, "Ah yes, it's so nice to know that some things never change.  Obviously the pace of life in Indonesia still affords drifting off to a peaceful nap under a shady tree, and hours spent on the 'roosting' benches just watching the world go by.  I think the Indonesians understand something about life that most Westerners don't understand or ignore, that inner urge to just 'idle' like a car at a red light, pausing, ticking over, going nowhere for the moment.   Loved the kucing [Indonesian for cat] photos, so sweet, I'd forgotten how different the Asian cats look with their big ears."